Books & Research Documents 著作与研究文献
Performance art has historically been considered a fringe art form in China. Since the early 21st century, Chinese contemporary art entered the global stage and enjoyed a brief period of openness, yet performance art has never received official funding and has relied solely on the passion and persistence of individual artists. In recent years, cultural policies have become increasingly restrictive, making the creation and presentation of performance art ever more difficult. This is precisely why Cai Qing has devoted himself to documenting these unacknowledged, unsupported, and even banned artistic creations in both Chinese and English, introducing them to a wider audience. 行为艺术在中国一直是个边缘艺术,80–90年代处于地下状态,21世纪初中国当代艺术正式步入国际舞台时,曾有过一段较为开放的时期。在中国,行为艺术从来得不到资金赞助,只能依靠艺术家个人的热情与坚持。近几年文化政策一再收紧,审查制度使得艺术家的创作与展示举步维艰,尤其是行为艺术与实验电影等。这也正是蔡青坚持以中英文编辑、写作,将这些不被尊重、没有支持甚至被“禁止”的艺术创作的生命历程记录下来并介绍给世人的意义所在。
A curatorial memoir tracing Cai Qing's platform-building journey from the 1998 exhibition “Traces of Survival” through the Live Art Tour series to the 2026 “Rebirth of Flame” in Estonia, covering two decades of independent curatorial practice across China, Europe, Asia and the United States. 一本策展回忆录,梳理蔡青从1998年“生存痕迹”到Live Art Tour系列、再到2026年爱沙尼亚“烈焰重生”的平台构建之路,跨越二十余年中国、欧洲、亚洲及美国的独立策展实践。
A systematic survey of performance art ecologies across Southeast Asia, documenting festivals and practices in Singapore, Thailand, the Philippines, Indonesia, Myanmar, Vietnam, Malaysia, India, Bangladesh, Sri Lanka, Laos and the 2025 Chiang Mai Transcend Performance Art Festival. 系统梳理东南亚行为艺术生态的文献,涵盖新加坡、泰国、菲律宾、印尼、缅甸、越南、马来西亚、印度、孟加拉、斯里兰卡、老挝以及2025年清迈跨越行为艺术节等地的实践。
Documentation of the international performance art exhibition presented during Singapore Art Week 2026, featuring artists from across latitudes and edited by Cai Qing. 2026年新加坡艺术周期间举办的国际行为艺术展文献,由蔡青编著,汇集跨越纬度的艺术家作品。
A comprehensive collection of pictures and texts documenting Cai Qing's performance art works from 1994 to 2025, including two interviews and one conversation. 图文结合的全面作品集,收录蔡青1994年至2025年的行为艺术作品,并包含两个采访与一次对谈。
A long-term project begun in May 2023. To date, 202 portrait paintings of artists and curators from around the world have been completed, each accompanied by textual annotations, basic biographical information, the artist's relationship with the author, and descriptions of their works. Currently 417 pages. 一项自2023年5月开始的长期计划,迄今已完成202幅散布于世界各地的行为艺术家与策展人肖像,每幅肖像附有文字注解、艺术家基本信息、与作者相识经历及其作品描述。目前417页。
Research documentation of Live Art Tour 11, recording the August 2024 residency at Non Grata Art Center in Pärnu and the July 2026 performance programme in Pärnu and Tallinn, culminating in a live art event at KUMU Art Museum during the museum's 20th anniversary. Live Art Tour 11的研究文献,记录2024年8月帕尔努Non Grata艺术中心驻地,以及2026年7月在帕尔努与塔林举办的表演项目,包括在KUMU艺术博物馆20周年庆典期间举行的现场艺术活动。
Documentation of Cai Qing's three visits to Sofia for the Water Tower Art Fest, including his interactive work “Colorful Star” and the durational performance “Becoming a Statue in the Ancient City” in Veliko Tarnovo. 记录蔡青三次参加索菲亚水塔艺术节的文献,包括互动作品《七彩星》以及在塔尔诺沃古城实施的持续性行为作品《成为古城中的雕像》。
Documentation of Live Art Tour 10 held in Paris in October 2025, including the Art Basel Paris performance programme. 2025年10月在巴黎举办的现场艺术巡演10文献,包括巴塞尔艺术展巴黎展会期间的表演项目。
Records the entire process of Live Art Tour 8 from planning to implementation in New York in 2023. The book includes prefaces by the renowned scholar He Yipeng and performance artist-curator Xiang Xishi, as well as poet Yi Yi. 记录2023年纽约现场艺术巡演8从策划到实施的全过程。著名学者何依工、行为艺术家与策展人向旭东以及诗人伊一撰写前言。
Documents the third “Cross Over” live performance art festival held in April 2025 at Thai Good Art Resort in Chiang Mai, Thailand, hosted by Du Yinghong and curated by Cai Qing. 记录2025年4月在泰国清迈Thai Good Art Resort举办的第三次“跨越”现场行为艺术节,由杜英宏主办、蔡青策展。
Four distinct live art tours between 2014 and 2018, with 97,510 Chinese characters and 289 pictures in the Chinese edition, and 149,680 words with 330 pictures in the bilingual edition. 2014年至2018年间四种方式各不相同的现场艺术巡回。中文版97,510字、289图;双语版149,680字、330图。
Full research documentation of the 2022 Kassel performance project, including two bilingual documentation books and an easy booklet. The festival ran 16–26 June 2022, coinciding with Documenta Fifteen. Of the 59 team members on site, more than one in four tested positive for COVID-19, yet the festival was completed as scheduled — a landmark large-scale live performance art festival in the “post-pandemic era”. 2022年卡塞尔行为项目的完整研究文献,包括两本双语文献书和一本简易画册。艺术节于6月16日至26日举行,与卡塞尔文献展15同期。59人团队中超过四分之一感染新冠,但仍按期完成,堪称“后疫情时代”世界首次大型现场行为艺术节。
A documentary book about Cai Qing's three visits to Indonesia to participate in performance art festivals and his friendships with Indonesian artists. 48,219 words, 373 pictures, 131 pages. 纪实文献,关于蔡青三次在印尼参加行为艺术节的经历和与印尼朋友的友情。中英48,219字,373图,131页。
Records three ten-day trips to Bangladesh, including performance art workshops, lectures, curating and implementing Live Art Tour 9, as well as a Chittagong art residency and solo exhibitions. With prefaces by local scholars and curators. 521 pages. 记录本人三次去孟加拉、每次10天的经历,包括做行为艺术工作坊、讲座、策划实施现场艺术巡回9,以及受邀参加吉大港艺术驻地与举办个展。有当地学者和策展人写的前言,521页。
In 2023 Cai Qing made three trips to India within one year using a multiple-entry visa, participating in three performance art festivals and a campus painting summit exhibition, while experiencing and reflecting on Indian culture and customs. 409 pages. 2023年一年中三次前往印度,充分利用一年多次往返签证,参加了三个行为艺术节和一个大学校园绘画高峰会展,充分体验和领会了印度的文化与风情。409页。
Original research monograph investigating the embodied, experiential dimensions of performance art, exploring the intersections of bodily practice, consciousness exploration and therapeutic artistic methodologies. The first monograph on performance art in China. 原创研究专著,考察行为艺术的具身经验维度,探索身体实践、意识探索与疗愈性艺术方法论的交叉地带。中国第一本关于行为艺术的专著。
Theoretical and documentary monograph presenting systematic field research on the evolving landscape of contemporary performance practices across East Asia, with first-hand interview materials with over 60 local performance artists. 理论与文献专著,呈现对东亚当代行为实践演变景观的系统田野研究,含与60余位在地行为艺术家的第一手访谈资料。
Hardback documentation of performance art activities in 2015. 331 pages. 精装331页,记录2015年行为艺术活动的中英文年鉴。
Hardcover documentation of overseas performance art practice. 350 pages. 精装350页,记录海外行为艺术实践的中文文献。
Research publication developed for the guest professor course at China Academy of Art, exploring how contemporary artistic thinking can redefine the boundaries of conventional public art practice. 为中国美术学院客座教授课程编写的研究出版物,探索当代艺术思维如何重新定义传统公共艺术实践的边界。
A collection documenting performance art in China over the past 20 years. 35,207 words and 268 pictures. 记录中国近20年行为艺术的文集。35,207字,268图。
Documents three performance art festivals that violated political guidelines. 90,140 Chinese characters (146,969 words bilingual), 265 pictures. 记录三个违反政治指导原则的行为艺术节。中文90,140字,265图;双语146,969字,359图。
Chinese performance art breaking through the biennale and art museum. 59,039 Chinese characters, 210 pictures; 98,508 words bilingual, 249 pictures. 中国行为艺术突破双年展与美术馆。中文59,039字、210图;双语98,508字、249图。
Records the establishment of the Live Art Studio in Beijing and the initiation of performance art festival activities, including the Inner Mongolia “Hot Snow” Art Festival from its beginning to the present. 31,557 Chinese characters, 51,371 words bilingual, 310 pictures. 记录北京现场艺术工作室的成立与组织行为艺术节活动的开端,并介绍内蒙古“热雪”艺术节的来龙去脉。中文31,557字,双语51,371字,310图。
Second edition of performance art documents compiled from live art scenes between 2006 and 2014. 2025年6月第二版,由现场艺术工作室出版,汇编2006至2014年现场艺术文献,共578页。
Second edition of overseas performance art documents, published by Live Art Studio in June 2025. 2025年6月第二版,由现场艺术工作室出版,530页。
Edited compilation of works by international performance artists, June 2020. 2020年6月编辑出版的国际行为艺术家作品集。
411 pages of pictures and text documenting Live Art Tour 6, the world's first live performance art festival to re-emerge during the pandemic. 中英文图文411页,记录现场行为巡回6,此项为疫情期间全球第一个重新出现的现场行为艺术节。
Exhibition catalogue for the second Internet Art Exhibition “Soul@Flesh” held at 798 Master Art Space in 2005, following the 2001 “Sun and His Friends” Internet Art Exhibition at Beijing Wansheng Bookstore. 2005年在798玛斯特艺术空间举办的第二次网络艺术展“灵@肉”画册。此前蔡青于2001年在北京万圣书园醒客咖啡发布“太阳和他的好友”网络艺术展。
A WeChat-based performance art project produced in three episodes in 2020. 2020年分A、B、C三集完成的微信行为艺术项目。
Internet interactive essays collected online in 2020, nine personal stories of all kinds of people, with both text and pictures. 2020年在网上收集的9个各类人物的个人故事,图文并茂,每集323页。
Two WeChat yearbooks compiling daily notes from 2017 and 2018. 两本微信年鉴,汇编2017年与2018年的日常记录。
Network art exhibition album documenting works, artist introductions and theoretical narration in two volumes. 网络艺术展画册,含作品图片、艺术家介绍与理论叙述,分A、B两册。
Records the first group exhibition of underground contemporary art in China after 1989, initiated by Cai Qing and co-curated with Feng Boyi. Participating artists include Wang Jianwei, Gu Dexin, Song Dong, Zhang Defeng, Yin Xiuzhen, Lin Tianmiao, Wang Gongxin, Zhang Yonghe, Zhan Wang, Qiu Zhijie and Cai Qing. 记录89年后中国首次重要的地下当代艺术群展,由蔡青发起并与冯博一合作策展。参加艺术家包括汪建伟、顾德新、宋冬、张德峰、尹秀珍、林天苗、王功新、张永和、展望、邱志杰、蔡青。
A 400,000-word book written in an autobiographical style during a period of illness and solitude. Because it describes the author's true life experiences in the first half of his life, it resembles an unofficial history of contemporary Chinese art. 在生病的孤独时期以自传式书写产生的40万字著作,因写的是作者上半生的真实生活经历,有点像中国当代艺术野史。521页。
Documents the performance art festival Cai Qing curated in Shifo Village, Henan, where villagers were aggressively building houses to occupy land before government relocation surveys, a phenomenon symbolic of the whole country at that time. 2008年蔡青在河南石佛村策划的行为艺术节文献。这个村庄面临拆迁,每家村民积极建房占地以获取更多政府测地补贴,这在当时全国具有普遍象征性。
A booklet Cai Qing collaborated on with a young female artist, recording their visit to Wenchuan after the major earthquake and a series of related works created afterwards. 与一位年轻女艺术家合作的小册子,记录走访汶川大地震灾区和后来创作的一系列相关作品。
Three catalogues of large-scale contemporary art exhibitions curated at the Chongqing Yangtze River Contemporary Art Museum in 2006, including several articles by Cai Qing on experimental art. The third volume, “Communication and Inclusion”, has 445 pages. 2006年在重庆长江当代美术馆策展的三次有规模当代艺术大展画册,含蔡青写的几篇有关实验艺术的文章。其中第三册《沟通共融》445页。
Since 2007, as a full-time professor at the School of Art, Nanyang Technological University, Singapore, Cai Qing drew at least one sketch for each class, combined with online texts explaining homework and course information, to create this “Teaching Diary”. 从2007年起,蔡青在新加坡南洋理工大学艺术学院任全职教授期间,每次上课至少画一张速写,结合网上与学生交待作业和发通知的文字,组合成这本《教学日记》。
Teaching records from several major art colleges in China. 159,913 words and 115 pictures. 在中国多所重点艺术学院的教学记录。159,913字,115图。
The result of one month of online teaching as a visiting professor at the School of Public Art, China Academy of Art in May 2021. 2021年5月任中国美术学院公共艺术学院客座教授,网上授课一个月后的成果。
An online interactive project between students and international artists during the teaching period at China Academy of Art, documented in a bilingual book. 在中国美术学院教学期间,在学生与国际艺术家之间开展的网络互动项目,以中英双语书记录。
Poetry and pictures collected during the pandemic — hundreds of lingering poems and hundreds of fantasy images. Be bold and crazy to pursue and experience. 疫情期间写的上百首缠绵诗句和几百张狂想图画。大胆而疯狂地去追求和体验。249页。
1. Contemporary Art, No. 4, 2016: 106–107, “Parabiosis — 2016 Yangtze River International Contemporary Art Exhibition”. 2. Sculpture, 2017 Issue 1: 34–37, “About Heterogeneity — 2016 Yangtze River International Contemporary Art Exhibition”. 3. Sculpture, 2017 Issue 2: 38–39, “Current Situation and Prospects of Cutting-Edge Sculpture Art”. 1.《当代艺术》2016年第4期106–107页,《共生——2016长江国际当代艺术展》。2.《雕塑》2017年第1期34–37页,《关于异质共生——2016长江国际当代艺术展》。3.《雕塑》2017年第2期38–39页,《前沿雕塑艺术的现状和展示》。
1. Inter, Art Actuel Issue 127 (2018), 10–13, “Pain in Performance Art”. 2. Inter, Art Actuel Issue 132 (2019), 33–36, “Fun in Chinese Contemporary Art”. 3. Colorado College Art Magazine Made in China (2020), 88–93. 1. Inter, Art Actuel 127期(2018),10–13页,《行为艺术中的疼痛》。2. Inter, Art Actuel 132期(2019),33–36页,《中国当代艺术的趣味》。3. Colorado College Art Magazine《中国制造》(2020),88–93页。
An article published on an online art platform introducing the Taiwanese live performance art festival “Pure Land”, curated by Cai Qing during the height of the pandemic in 2021 — a testament to the resilience and creativity of artists in challenging times. 2022年在网络艺术平台发表文章,介绍2021年疫情期间蔡青策划的台湾现场行为艺术节“净土”,证明艺术家在充满挑战时期的韧性与创造力。
Essay on Chen Jin commissioned for T. N. Cesare Schotzko & A. Disman (Eds.), Fifty Key Performance Artists, Routledge, 25 February 2026. 受特别指定撰写的陈进(中国)词条,收录于T·妮基·切萨雷·肖茨科、阿德里安娜·迪斯曼(编)《五十位核心行为艺术家》,劳特利奇出版社,2026年2月。